That Cherest Show
A generation’s fears and aspirations captured in one ceremony
So there I was with my youngest daughter, surrounded by a crowd where women in the fifty plus category were clearly in the majority. And judging from their looks, not having the same access to the sort of healthcare that preserves youth and sexiness even when you are closing in on seventy, like the pop diva they were about to see. In all likelihood they were here some eleven years ago when Cher’s first farewell tour blitzed across North America, only to see itself repeated this year with the Malibu-based pop diva hitting the tender age of sixty-eight. I had missed that opportunity back then and had resolved to go and see her if she ever made it to town again. That said, I had never for myself been quite able to define what so deeply attracted me to her, apart from enjoying a few songs like “I Found Someone” and her pretty unique ability to defy – with whatever means available – old age.
The “Cherest Show” started – following a great opening act by Cyndi Lauper – with nothing short of a standing and boisterous ovation, making it impossible for Cher to address the audience for quite a few minutes. And it was clear to both the singer and her audience why the prolonged welcome took place. A deep joy of seeing Cher again in pretty much the same youthful look as before, knowing it might really be the last time she did a live tour, but also quite likely a deep recognition that pulling this off at age sixty-eight deserves some respect. Never did I see such a moving moment between a stage artist and a crowd.
The show itself has now morphed into more of a Cirque du Soleil type fantasy extravaganza where the music plays far less of a role. It is more a celebration of the multifaceted phenomenon that is Cher and nowhere did that become clearer halfway the show where a series of movie clips captured the Hollywood career of the artist with some of her more noted performances (with the classic Jack Nicholson scene from The Witches of Eastwick) and quotes from a number of interviews. And right there it was. In one excerpt Cher said that she never really knew what she was, a singer, a moviestar, an artist or whatever, but that she had always achieved and been successful at that what she had pursued, but never ever belonged to a particular group. That statement had a deep impact, at least on me it did. Because therein lies the key attraction to Cher as a persona and something that for many is so hard to achieve: to accomplish goals and be totally yourself without ever succumbing to group pressures or group identities. More than that, to carve out your own niche in life.
That of course Cher herself has done in spades and the standing ovation in no small part was evidence of that all so human aspiration. But the near religious atmosphere of paying respect to a higher being was also driven by all those fifty plus boomers who are all so desperately seeking to defy that one thing that even wealth and success can not postpone: old age and death, eventually. The diva however invited a healthy does of realism into that, “ I am sixty-eight” and if I am going under “you will not be far behind” pointing to an older guy in the audience adding, “Is that your wife? Must be your second or third!” and alluding to a not too distant funeral ceremony, “you’re coming with me!” Cher’s ability to make light of the inevitable resonated with all present, again emphasizing the bond the star and her audience enjoy.
Her performance is a celebration of defying age and trying to carve out a unique role for yourself, one way or the other. All of it is buoyed by extravagant and colorful costumes, light and showy glee riding high on the pulsating drums of “Believe” and “Strong Enough”. And bringing back the life and times of Sonny Bono was another emotional twist in capturing the fluidity of life in the show.
The most endearing moment however came at the very end and it captured the heart of coming of age and saying goodbye in its most poignant form. After gliding across the stadium and singing her final song, Cher walked to each and every corner of the stage and as a somewhat timid older mother waved in the most friendly and innocent ways to the excited crowds. It was as if she was saying, I am going now my kids, my friends, please take care of yourselves because it is unlikely I will be coming back anytime soon, if ever. It was the most genuine scene of the evening. While the glitz faded, the diminutive stature of Cher made her so complete and human that there was nothing left to be said and done by star and audience. The premise of the ceremony was fulfilled.
I glanced at my twelve-year old who absolutely captured the beat and show, but it will take another thirty years for her to grasp how her parent’s generation jumped on to that lifeline handed to them by one of the most transformative stars of the twentieth century.
We attended the June 27 show at the Rogers Arena, Vancouver, Canada. This article also appeared on Medium, here.
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